JULY 16, 2011
BY Bianca V
London Fashion Week was paused this past Monday for the ringing of somber bells. St. Pauls Cathedral filled with designers, actresses, family and friends gathered for the funeral of Alexander McQueen, the renegade genius designer who committed suicide before his fashion depict last February at the age of forty. McQueen was known for a sealed macabre attitude toward life and dress. He found the black glorious and found beauty in the shudders and ashes of life.
Although he was revere in the fashion world on the basis of his small tailoring and perfection of fit, like all great artists he twisted the traditional and even tortured it. Grand theatrics were a consistent theme of his fashion shows, which have variously have huge living trees, live wolves, holograms and automobile spray-paint machines â€" not to elevate the premier of the Lady Gaga song, Bad Romance, which crashed the website where the show streamed live.
by means of these eccentric stagings, McQueen always presented a clear message in his shows. From the fleeting nature of celebrity to the promise of soft execute from a painful world, he usually expressed that carrefour of life and death known as the bittersweet.
McQueen walked fields of democracy mines and wasnt afraid to set them off with his walking stick. He usually managed to step away in time.
A fond(p) theme of McQueen was Victorian Gothic, a tale told in pig it feathers, lace and binding corsetry. He drew upon the original sorrow dress, which became trendy in England after Queen Victorias beloved husband King Albert died, and she wore only black for the easing of her life. Ironically, mourning dress became an elaborate ritual with layers of skirts and veils and jewelry do of human hair â€" all properly coordinated, of course. What was intended to be ascetic became blatantly aesthetic. Humans can try to be somber and silent, but expression is inevitable, and in...If you want to get a full essay, order it on our website: Ordercustompaper.com
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