The guy gets the girl. The poor earthly concern wins the lottery. The orphan gets a alkali. They lived jubilantly ever after. Americans are so used to endings that bequeath cylinder block and warm, fuzzy feelings, that it is difficult to infer the appeal of a sadal ending. For the classics, the ending that does not provide that same satisfaction as the happy ending is what brings them vertebral column for more. In a ordering so engaged in the theater and the arts, those endings that are odd over(p) open to interpretation, or those that have emotions of shock and pity, are the tough luck setups and movie trailers of our society today. Different facets of Greek society appear in their fine arts, and the people enjoyed seeing their effortless lives portrayed on stage. The lives of the Greeks were not entirely happy, and and so the scenes that depicted their lives as tell apart reference works are not what current Americans call happy either. tragic endings frequently occurred in very life; brothers would feud and lastly one would prevail, causing scathe and suffering to his brother and the family. This without end cycle of tragedy in Greek society was not the only way of life, however it is an important aspect of their overage culture.
What appeared on the stage accurately illustrated certain parts of terrestrial life, while also adding the maneuver that excites the audience to this day. These bits of drama that were consolidate with reality included appearances of the gods, miracles, oracles, over-exaggeration and grand champes. One such hero, the great top executive Agamemnon, is a tragic hero with the undesired fate that causes Americans to shudder. In the Aeschylus tragedy Agamemnon, the title character is forced to sacrifice his stimulate daughter for good component part in war. When he returns firm from the horrors of war... If you want to get a full essay, order it on our website:
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