|Neoclassicism & Romanticism - Architecture | |Neoclassicism in France: | |Prior to the French Revolution, a delicate form of neoclassicism infiltrated the dominant Rococo mode in | |France, influenced by the archaeological and historical research being conducted by the French Academy in | |Rome. The new look had untold effect on the private residences and interior decoration of the gentry than | |on religious and civil couturierure. This classicizing trend began as early as the mid-18th century during the| |reign of Louis VX. In a niggling residence built at his behest on the grounds of Versailles, the couturier | |Ange-Jacques Gabriel used the Corinthian narrate and an elegant symmetry on the garden façade of the Pe tit | |Trianon. Essentially a play on the cube form, the building heralds the transition from the Rococo style of the| | antecedent part of the century to the sober and refined Neoclassical style that was to become so popular during | |the later half. The style truly established itself during the reign of Louis XVI. The tiny pavilion, left, | |was built for Marie Antoinette in the gardens of the Petit Trianon in 1778.
The so-called Temple of Love, set | |into a natural jardin anglais (see below), was designed by Richard Mique as a refuge for the Queen. Although| |borrowed directly from the cl assical tholos form, its function as a templ! e has been lost in the translation. Here | |it serves an essentially romantic objective, as a parcelling for lovers, an idyllic setting for romance. Marie| |Antoinette occupied the Petit Trianon much of the time in frame to escape the rigours of court life at | |Versailles. | |Claude-Nicolas Ledoux (1736-1806) produced a number of...If you want to get a full essay, order it on our website:
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