Gender Roles in Hollywood Films

sex activity Roles in Hollywood FilmsConstruction of Gender as Represented In Hollywood FilmHollywoods ability to symbolise or reflect society and history is yet another factor in the study of habitual culture through and through their movies.It is argued that Hollywood films legitimate conservative ideologies of not only sexism, but excessively classism, patriarchy and racism (Ryan Kelner, 1990).One can perhaps understand the lick of popular mainstream cultural forms and the difficulties in isolating grammatical gender as the find out factor in social relations in film if I refer to the controversial woman centred film Waiting to breathe out (1995).A sanguine analyst may have noted that Waiting to Exhale is an empowering womens rightist text, however the devices used to parody and satire, although humorous, are essentially upside-down archetypes and, according to Bell Hooks (1997) are predicated upon reverse dualisms of sexism and racism.In note the central theory in fem inist film criticism is that mainstream popular culture, namely Hollywood film, fails to challenge dominant patriarchal structures in society, gender being the sole signifier within classical feminist theory.To arouse gender debate solely on this single praxis is to repay the Enlightenment dichotomies that have informed classical theorists.Subsequently the ramifications of capitalism and racism are issues that have often been negated, both by classical feminist theory and made invisible within mainstream popular culture arguably reifying capitalist and Eurocentric hegemony (ibid. 1997).Congruous to this analysis, many contemporary theorists argue that gender is not the sole determinant in representations of women and should thus be analysed in terms of race and class.Hence representations in film are the results of two-fold ideologies, patriarchy, racism and capitalism. This paper seeks to address three key areas.The question of gendering in Hollywood film, the scope of feminists analysis in identifying issues of race and class and the limitations of traditionalistic feminist analysis in assessing these complex issues.BIBLIOGRAPHYHooks, b. (1997) Reel to Real, Race, Sex and fall apart at the Movies London RoutledgeKellner, D. Ryan, M. (1990) Camera Politica Bloomington Indiana University Press